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今年是爱森斯坦诞生一百周年、逝世五十周年,在这里谨以这篇短文向这位对电影艺术创作和理论做出伟大贡献、具有重大影响的伟大导演表示一份敬意。 1923年,爱森斯坦以奥斯特洛夫斯基的名剧《智者千虑必有一失》为由头演出时事讽刺剧《智者》,全剧由一系列出人意料的“杂耍”连缀而成,中间还插入了一段讽刺模拟美国侦探片的电影片段。就在此时,爱森斯坦提出了他出语惊人的“杂耍蒙太奇”理论。1924年,爱森斯坦拍摄了他第一部影片《罢工》。他在这部影片里使用了许多当时尚属罕见的电影手段,如两次曝光、镜头造成的变形等。1925年,爱森斯坦挑选战舰“波将金号”水兵起义的
This year marks the centenary of Eisenstein's birth and the fiftieth anniversary of his death. Here we would like to pay tribute to this great director who has made great contributions to the creation and theory of film art with this essay. In 1923, Eisenstein acted in his current play “The Wizards” of the current episode as Ostrovsky's famous play “The Wise Thousand, Must Have One Lost.” The play was made up of a series of unexpected “juggling” Also inserted was a video clip of a satirical American detective film. Just then Eisenstein came up with his astounding “juggling montage” theory. In 1924, Eisenstein shot his first film “Strike.” In this movie, he used many of the rare film genres of the time, such as double exposure, lens distortion and so on. In 1925, Eisenstein picked the battleship “Potemkin” marines uprising