作家/批评家的双重身份决定孙犁晚年文学批评的独特性,作为作家,孙犁是人道主义现实主义文学传统的一员;作为批评家,他是此一文学审美传统的阐释者和维护者。这意味着他的文学批评是“寻找同道”的批评实践,他与他晚年扶持的青年作家之间建立的是“惺惺相惜”的“知音”情感。论文认为,孙犁是八十年代中国文学批评领域重要的“披沙捡金”者,他的评论对青年作家铁凝、贾平凹、莫言的成长起到过至关重要的作用。十多年的文学批评写作中,具有“赤子之心”的孙犁将作为作家的形象感性表达与作为批评家的理性思考恰切融合在一起,逐步形成了以“艺术性”为第一要义的批评美学风格。 The dual identity of the writer / critic decides the uniqueness of Sun Li’s later literary criticism. As a writer, Sun Li is a member of the humanitarian realist literary tradition. As a critic, he is the interpreter and defender of this literary aesthetic tradition. This means that his literary criticism is the critical practice of “looking for fellow men,” and his “sweetheart” feeling with the young writers he supported in his later years is “sympathetic.” The dissertation holds that Sun Li was one of the most important literary collectors in the field of Chinese literary criticism in the 1980s. His comments played a crucial role in the growth of young writers Tie Ning, Jia Pingwa and Mo Yan. In more than a decade’s writing of literary criticism, Sun Li, who possesses “pure love”, integrates his sensual expression as a writer and his rational thinking as a critics, and gradually forms the “artistry” A critical critic of aesthetics.