“艺术品的存在,并不是一种纯粹精神的东西,但也不是纯然的物。”①汉斯立克对情感与音乐美做了明确区分,他的理论弥补了美学表现论者完全忽视独立艺术品自身价值的缺陷。我们在继承这一理性观念的同时,也要考虑情感在艺术创作过程中的作用。 “The existence of artwork is not a mere spiritual thing, but it is not a pure thing.” 1 Hans Riecker makes a clear distinction between emotion and musical beauty, and his theory makes up for the aestheticist completely Neglecting the defects of independent art’s own value. While we inherit this concept of rationality, we must also consider the role of emotion in the process of artistic creation.