论文部分内容阅读
一在当代装置艺术中,社会学性质的范式是最为重要的范式之一。社会学性质的装置范式主要以直接介入生活、反思人类生存境遇的方式而存在,一般通过拼贴、挪用等艺术策略来处理历史和社会现实的主题,在艺术上追求功能性的美学特征和沟通性的互动效应,反对现代主义的视觉享乐以及为艺术而艺术的倾向。装置艺术的社会介入通常是批判性的,它所表达的思想对社会、政治、对人性、对宗教等既定存在都重新进行反思、诘问和批判,并通过艺术符号化语言展现出来。
In contemporary installation art, the paradigm of sociological nature is one of the most important paradigms. The device paradigm of sociological nature mainly exists in the way of directly intervening in life and reflecting on the living conditions of human beings. It usually deals with the theme of history and social reality through art strategies such as collage and misappropriation, pursuing functional aesthetic features and communication in art Sexual interaction, opposition to modernistic visual pleasures and artistic tendencies for art. The social involvement of installation art is often critical, and the ideas it expresses reflect, question and critique socially, politically, humanely, and religiously for its established existence, and are presented in an artistic, symbolic language.