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中国文论史上存在着一“体”二用的现象,即用诗歌、辞赋、骈文等文学文体来书写文学批评。批评文体与文学文体的相合,铸成古代文论的诗性特征,以至成为中国文论史上一道绮丽的风景。两者表面一体,实为二用,在言说之对象、方式及风格等方面存在着较大差异。探究批评文体与文学文体的合而不同,进而揭橥古代文论批评文体的典范性价值,可为当今文学理论和批评提供借鉴性思路。
In the history of Chinese literary theory, there is a phenomenon of dual use of “body”, that is, writing literary criticism by means of literary styles such as poetry, ci fu, prose and so on. Criticism style and style of literary style, cast into the poetic characteristics of ancient literary theory, and even become a beautiful landscape in the history of Chinese literary theory. The two are superficially superficially superficial, and they are really dual purposes. There is a big difference in terms of object, style and style of speech. Exploring the combination of criticism style and literary style difference and then exposing the model value of ancient literary criticism style can provide reference ideas for the contemporary literary theory and criticism.