“太常仙蝶”在清代文人圈中久负盛名,屡见题咏,文人士大夫均以得见“仙蝶”为奇遇,而有关仙蝶的传说也流传极广。通过梳理有清二百年间的记述,可以辨明“仙蝶”之起在于明末,其为人所知乃在康熙朝,而至乾隆时声名大噪。其本身所承载的文化意蕴,也由对亡明的故国之思,转而化为清代国运昌隆的祥瑞,再变为文人风雅的表征,后在民国初年又成为感叹清亡、自伤身世的寄托,如同清代文人社会的一个文化符号,从中折射出不同时期文人心态的转变。 “Too often immortal butterfly ” in the Qing Dynasty literati circle prestigious, repeated common sense chants, literary men and women have to see “cents butterfly ” for the adventures, and the legend of cents butterflies also spread widely. By combing the Qing two hundred years of account, we can see that the beginning of the “Butterfly” is in the Ming Dynasty, which is known in Kangxi, but to the fame of Qianlong. The cultural connotation carried by itself is also reflected in the thought of the deceased country, turning it into a prosperous good fortune for the country in the Qing dynasty and a symbol of the elegance of the literati. Later in the Republic of China, it became a sigh of death and self-harm Lifetime sustenance, as a cultural symbol of the Qing Dynasty literati society, reflects the changes in the mentality of scholars in different periods.