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作为北宋文艺界的领袖人物,苏轼的画论和绘画实践对于中国艺术史的发展有着重大的影响。平心而论,苏轼的画论是有着非常鲜明的文人画色彩的,也可以视为北宋文入画美学观念的代表。在这方面,他的《王维吴道子画》一诗,是最能体现其文人画美学观念的。吴道子是唐代顶尖级的大画家,苏轼对吴也是备加推崇。而当他将吴道子(又名道玄)与王维加以比较时,苏轼却将最高的评价给了王维,其眼光尺度,在这首诗中得而见之。诗云:“何处访吴画?普门与开元。开元有东塔,摩诘留手痕。吾观画品中,莫如二子尊。道子实雄放,浩如烟海翻。当其下手风雨快,笔所未到气已吞。亭亭双林间,彩晕扶桑暾。中有至人谈寂灭,悟者悲涕迷者手自扪。蛮君鬼伯千万万,相排竞进头如鼋。摩诘本诗老,佩芷袭芳荪。今观此壁画,亦若其诗清且敦。祗园弟子尽鹤骨,心如死灰
As a leader of the Northern Song Dynasty literary and art circles, Su Shi’s theory of painting and painting have a significant impact on the development of Chinese art history. In all fairness, Su Shi’s painting theory has very distinct literati color, and it can also be regarded as representative of the aesthetic concept of painting and calligraphy in Northern Song Dynasty. In this regard, his poem ”Wang Wei Wu Dao Zi“ is the best embodiment of his aesthetic concepts of literati painting. Wu Daozi is a top-level big painter in the Tang Dynasty, and Su Shi is also highly praised by Wu. And when he compares Wu Daoci (aka Dao Xuan) with Wang Wei, Su Shi gave the highest appraisal to Wang Wei, whose vision was seen in this poem. Poetry cloud: ”Where to visit Wu draw? New Century and Kaiyuan. Kaiyuan East Tower, Mount Mo stay hand marks .I view the picture, as two son Zunzi. , The pen has not yet been gas has been swallowed. Tingting double forest, the fusidi Fuso. There are people talk about silence, Wu Shizhen distraught people hand palpable. Such as 鼋. Mogan old poem, Pei Chi attack Fang Sun. This view of this mural, but also if the poem clear and London. Gion disciples to make the crackers, heart as ashes