一个新的剧本开拍,在创作上都是一个新的开始。艺术没有一成不变的轻车熟路。新的思索、新的追求、新的苦恼与新的乐趣自始至终伴随着我的创作历程。我在电视美术领域中耕耘了三十年,拍摄大型历史电视连续剧《红楼梦》时,在场景设计上我着意刻画原著的内在意蕴,不同场景赋予不同的寓意;在《宋庆龄和她的姊妹们》创作中,未出国门一步,创造了美国、日本、前苏联、法国、德国、比利时、香港、澳门……等诸多场景,是在创造一个世界;《秦淮八艳》是一首抒情诗;《巨人的握手》则是一曲悲壮史 A new script shot, in the creation is a new beginning. Art is not a definitive mode of operation. New thinking, new pursuits, new distresses and new pleasures accompany my creative journey. When I was working in the field of television art for thirty years and shot a large historical TV series “Dream of Red Mansions”, I deliberately portrayed the inner meaning of the original scene and given different meanings in different scenes. In “Soong Ching Ling and her Sisters” During his creation, he did not go abroad one step and created many scenes such as the United States, Japan, the former Soviet Union, France, Germany, Belgium, Hong Kong and Macao. He is creating a world; Qinhuai Banyan is a lyric poem; Giants handshake "is a tragic history