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《云南映象》等民族歌舞秀视听表意符号所承载的人观(personhood)引导我们相信:民族歌舞秀场呈现的原生态生活史场景原始乐园里,神的颂歌就是人的颂歌,遥远的神性与当下的人性原本就是交融(交错与交织)在一起的。一、原生态生活史场景突出的是个性《云南映象·家园》完全突破了以往舞台艺术的均衡布局,几次出现“一”字形长蛇阵队形,青年男女打歌情景大概有十几秒钟完全
The “personhood” carried by audio-visual ideographic symbols such as “Yunnan Image” guides us to believe that: the original ecological life scene presented by the national song and dance show scene In the original paradise, the carols of God are carols and faraway gods Sex and the moment of human nature were originally mixed (staggered and intertwined) together. First, the original ecological life scene highlights the personality “Yunnan image home” completely broke through the balanced layout of the previous stage art, appeared several times “a ” shaped long snake formation formation, young men and women playing songs about Ten seconds completely