对主客两分的传统认识论中,文学作品一般被认为是艺术家对现实的反映或者模仿,读者对作品的欣赏必须基于对作家现实生活的考察,这在西方现象学看来是不能同意的。现象学用“意向性”一词完成了对这种认识方式的颠覆,对艺术作品欣赏产生很大影响。本文以李商隐为例,具体阐析艺术活动中作为认识之一种的审美体验的意向性。 In the traditional epistemology of dichotomy between subject and object, literary works are generally regarded as the reflection or imitation of the artist by the reality. The readers’ appreciation of the works must be based on the investigation of the real life of the writer, which seems to be unacceptable to Western phenomenology. Phenomenology has subverted this way of understanding by using the term “intentionality”, which has a great influence on the appreciation of art works. Taking Li Shangyin as an example, this article analyzes the intention of aesthetic experience as a kind of understanding in art activities.