博物馆总是通过一定物件具体化来重新诠释记忆,这种记忆凝结与塑造人类生存的共同文化认同。涉台博物馆也是一样,通过物件的空间安排,来诠释两岸文化认同。在众多诠释历史事件方法中,本文试着通过中国闽台缘博物馆对台湾抗日事件全息营造为例,来分析全息营造在涉台博物馆的运用。 The museum always reinterprets the memory by embodying certain objects, which condenses and shares the common cultural identity that shapes human existence. The same is true for the Taiwan Museum. Through the space arrangement of objects, the cross-Strait cultural identity is interpreted. Among numerous means of interpreting historical events, this article attempts to analyze the use of holographic construction in Taiwan-related museums through the case of the Museum of China, Taiwan and Taiwan on the anti-Japanese incident holographic construction in Taiwan.