《竹枝》在宋代歌唱已少用唐音“含思宛转之艳”,而是借《阳关》、《小秦王》曲调“著腔子”歌唱,变为酒令表演,“一声三叠”;文人拟作带有仿歌谣性质,专称“《竹枝歌》体”,反映了歌辞创作向“词曲”“定腔”发展的趋向。本文论述为揭示“乐府声诗并著”的歌唱历史,亦为进一步论证诗、词之间的构成关系提供了启示。 “Bamboo sticks” in the song of Song Dynasty have less use of Tang Yin, “the idea of ​​twists and turns of Yan”, but by “Yang Guan”, “Little Qin” melody “with the” song, into a wine show, “as soon as” Triad; It is intended to be written in the style of imitating ballads and is specially called “Zhu Zhi Song”. It reflects the trend of song lyrics creation to “Ci” and “Ding Cha”. This dissertation discusses the history of singing of “Folk Songs of Yuefu” and also provides some enlightenment for further demonstrating the relationship between poems and words.