不久前,安徽省安庆市黄梅戏曲艺术中心来汉演出黄梅戏风格舞台剧《徽州女人》。领衔主演的是风头正健的黄梅戏名家韩再芬。我在中央台戏曲频道多次领略过韩再芬的表演,扮相俊美,嗓音甜美,身上的功夫可谓了得。所以怀着十分的热忱观看《徽州女人》。果然被韩再芬富于感染力的演唱和表演所征服。走出剧场,那圆润甜美的嗓音似乎还萦绕在耳畔,如果不是身边有人议论:“这哪像黄梅戏啊,像黄梅歌剧。”冷静下来,我也有了同感。的确,《徽州女人》之精美,包括舞美、灯光,和音乐唱腔设计,无一不显出编导深厚的艺术美学修养,可能是过于强调打造和包装,使得这出戏丧失了一些黄梅戏 Not long ago, Anqing City, Anhui Huangmei Opera Arts Center to perform the performance of Huang Mei opera stage play “Huizhou woman.” The starring is the prototyping Huang Mei famous Han Han Fen. I have enjoyed the performance of Han Zhanfen repeatedly on the CCTV drama channel. I have a good appearance, a sweet voice and a very good kung fu. So with great enthusiasm to watch “Huizhou women.” Sure enough, Han Zaofen rich contagious concert and performance conquered. Out of the theater, the mellow and sweet voice seems to still linger in my ears, if not around someone talked about: “This is like a yellow plum opera, like the Huangmei opera.” “Calm down, I have the same feeling. Indeed, the beauty of ”Huizhou women", including the design of the dance, the lighting, and the music singing, shows that the deep artistic aesthetics cultivation of the director can be too much emphasis on making and packaging so that this play has lost some of the Huangmei opera