《朝花夕拾》和鲁迅的后期杂文一样，处处充满辩证艺术。这是一部从记忆中抄出来的散文集，带有自叙色彩。作为文学家的鲁迅，他常常带着强烈的主观情感去感受外部世界，使平凡的材料具有了一定的主观性、现实性、情绪性与象征性，使文章蕴含丰厚，主题呈多向性。他善于以洒脱不羁、变幻多端和行云流水般的笔墨，描绘出一幅幅简洁深刻、浓淡相宜的画图。材料安排有详有略，摇曳多姿。 Like the late essays of Lu Xun, Chao Hua Xi Du is full of dialectical art. This is a collection of essays copied from memory, with its own color. As a writer, Lu Xun always felt the external world with a strong subjective emotion, making ordinary materials have a certain subjectivity, reality, emotionality and symbolism, which made the article rich and the subject was multi-directional. He is good at drawing freehand, unrestrained, changeable and cloud-like ink, depicting a simple deep, shades appropriate drawing. Material arrangement is slightly slightly, swaying.