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本文通过分析梅兰芳先生的代表剧目《黛玉葬花》,阐述了新版《黛玉葬花》在失传几十年后的今天,又以其崭新的面貌再次唱响于京剧舞台,使得大量失传或濒临失传的剧目有了借鉴的经验和模式,倡导在保留其经典的原则下,有侧重的进行取舍,恢复其特色部分,革新我们的观念,创造出既符合现代人的审美习惯,又能够得到老戏迷的认可,新观众拥戴的传统戏。
This article analyzes the representative program of Mei Lanfang’s “Fuyu Funeral Flower”, elaborates that the new version of “Funeral Funeral Flower” was lost in the decades after its disappearance, and once again sounded on the stage of Peking Opera with its brand-new appearance, Lost or on the verge of losing the repertoire of lessons learned and models, advocating the preservation of its classic principle, there is a focus on the trade-offs, restore its distinctive features, innovate our concepts, to create not only meet the aesthetic habits of modern people, and Can get the recognition of the old fans, the traditional audience supported by the new audience.