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2013年末,入冬以后北京最寒冷的一个夜晚。北京舞蹈学院的701教室挤满了从校内外风尘仆赶来的人,他们不是来看课堂汇报,更不是来观摩演出的,他们都是冲着一个讲座嘉宾来的。种情形并不是第一次了,而只要这个场面出现,多半是因为这个人要登场发表艺术观点。这个人,就是现代舞人王玫。这次她要给大家分享的是自己即将问世的第一部著作,即她从观众的“前视角”出发思考“舞蹈调度”的最新研究成果。一个非常学术化的课题,竟然吸引了那么多跨界的北京文
In late 2013, Beijing one of the coldest nights after winter. Beijing Dance Academy 701 classroom packed with dusty people came from inside and outside the school, they do not come to the classroom report, not to watch the show, they are directed at a guest speaker. The situation is not the first time, and as long as this scene appears, mostly because of this person to debut published art point of view. This person is the modern dancer Wang Mei. This time she wants to share with everyone her forthcoming first book, that is, from the audience’s “front perspective”, she starts thinking about the latest research results of “dance schedule”. A very academic topic, even attracted so many cross-border Beijing language