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本文依靠韩礼德的功能文体学这一理论,从语域理论基础上的话语范围(field)、话语基调(tenor)、话语方式(mode)三方面以及两种音位现象:音位不和谐和挠度音位这两个角度解读威廉姆·布莱克的《扫烟囱孩子》(天真之歌)这一诗歌。最后,笔者通过详细研究,得出以下结论:1.为读者或是研究人员提供一个新的解读威廉姆·布莱克的《扫烟囱孩子》(天真之歌)的视角;2.用功能文体学解读诗歌时发现该理论“可操作性强、实用性强”〔1〕,能够有效地帮助读者将对诗歌的主观理解建立在客观分析之上,更加深刻透彻地解读诗歌。
This article relies on Halliday’s theory of functional stylistics. Based on the theory of register theory, the field of discourse, tenor and mode of speech, as well as two kinds of phonemic phenomena: phonemic discordance and deflection Phonetic interpretation of William Black’s “Chimney Sweeper” (the song of innocence) poetry from these two perspectives. In the end, through detailed research, the author draws the following conclusions: 1. To provide readers or researchers with a new perspective on William Blake’s “Chimney Sweeper” (the naive song); 2. Use functional stylistics to interpret The poem found that the theory “operability, practicality ” [1], can effectively help readers to subjective understanding of poetry based on objective analysis, more profound and thorough interpretation of poetry.