由于受到多种娱乐方式的冲击,传统的皮影戏表演艺术日显暗淡,为传承与保护皮影戏这项非物质文化遗产,我们通过对瓦房店得利寺镇“义和班”进行为期一年的跟踪拍摄与采访。深入了解复州皮影戏的特色,从撰写剧本、选皮制作道具、外出演出、走入小学课堂等多角度,记录了宋国超先生及其“义和班”的现实发展状况。通过对一个派别皮影戏的调查研究,我们了解到国家对皮影戏的重视,但由于表演艺人已年龄偏大,继承人较少、传统艺术很难走入当代人的生活等诸多原因,皮影戏的传承与保护也面临着十分严峻的挑战。本文对复州皮影戏的代表“义和班”从多方面进行探讨,为皮影戏的传承与发展提出合理建议。 Due to the impact of various forms of entertainment, the traditional performance art of shadow shadow plays doldrums. In order to inherit and protect this intangible cultural heritage of shadow shadow play, we conducted the “Yihetu Class” Year tracking shots and interviews. In-depth understanding of the characteristics of Fuzhou shadow play, recorded from the script, the selection of leather production props, go out to perform, into the primary school classroom and other angles, recorded the Song and his “justice and class” reality development. Through the investigation and study of a faction shadow play, we know that the state attaches great importance to shadow play. However, the inheritance and protection of shadow play is very much due to many reasons such as the entertainers are older, less heirs and the traditional arts are hard to walk into the life of contemporary people Also faces a very serious challenge. This article discusses the “Yihe Class”, a representative of the Fuzhou shadow play, from many aspects and puts forward reasonable suggestions for the inheritance and development of the shadow play.