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传统美学史惯于单纯从内容角度分析和评价奥古斯丁《忏悔录》的美学价值,对于其独特的文体风格在西方思想史和美学史上的影响则关注不足。本文认为,作为西方第一部自传性作品,《忏悔录》在文体与风格上的独创性给基督教神学带来了一些崭新的因素,即:更加关注和肯定现实人生与此在世界的“现实主义”倾向、从信仰主体的内在经验出发建构神学的心理学视角以及成功综合古希腊与《圣经》两种爱欲思想传统、兼顾形而上学与伦理学维度的基督教之爱的教义。这些因素使得《忏悔录》具有重要的神学美学价值,其对于中世纪拉丁基督教神学以及近现代西方思想的深远影响为后世西方美学诸多基本原则——如肯定感性美、注重主体性、与伦理学有着密切亲缘关系等——的形成埋下了伏笔。
The traditional aesthetic history is used to analyze and evaluate the aesthetic value of Augustine’s Confession Recorded solely from the perspective of content, and pay little attention to the influence of his unique stylistic style in the history of western thought and aesthetics. This paper argues that the originality of “confession recorded” in style and style brings some brand-new factors to Christian theology as the first autobiographical works in the West: to pay more attention to and affirm the real life and the origin of this world in the “ Realism ”. Based on the internal experience of the subject of belief, this article constructs a theological perspective of theology and the doctrine of successfully combining the two kinds of ideological traditions of love with ancient Greece and the Bible, taking into consideration the metaphysical and ethical dimensions of Christian love. These factors make the confession recorded an important aesthetical and aesthetical value. Its far-reaching influence on the Latin Christian theology and the modern Western thought of the Middle Ages are the many basic principles of Western aesthetics in the future - such as affirming perceptual beauty, subjectivity, and ethics Closely related, etc. - the formation of laid a foreshadowing.