可以说中国现在有几类晃晃———有一种是“航道之内的晃晃”，这种晃晃虽然也在晃，但还未离谱。比方一个作家，他虽然没有始终坚持写高尚理想的小说，有时媚俗写点低级情趣招徕读者，但他终究没有向权势献殷勤，向金钱卖身；有一种是“越过底线的晃晃”，他曾经写过一些脍炙人口的作品，但受不住种种诱惑，一忽而为政客制造业绩，一忽而为大款制造神像，完全丢失了人格；有一种是“伪晃晃”，他从来就没有真正有理想，从来就没有写出一篇好文章，从来就只想用文学当敲门砖，他虽然在写文章和做生意之间晃荡，但却一直躺在市侩的茶馆里没有动。准确地说，他们只是在文痞与奸商之间“换位思考”。———提要 It can be said that China now has several types of dangling --- one is “dangling within the channel”, although this dangle is also Akira, but not outrageous. For example, a writer, though he did not always adhere to write noble ideals of fiction, and sometimes vulgar write a low-level fun to attract readers, but he did not pay tribute to power, to sell money; one is “over the bottom of the dangling,” he wrote Some popular works, but can not stand the temptation, one after another for the performance of politicians, one after another for the creation of statues of wealthy, completely lost personality; there is a “pseudo-Huang Huang,” he never really have the ideal, Never wrote a good essay, always wanted to use literature as a stepping stone, although he slips between writing articles and doing business, he has been lying in the city’s tea house did not move. To be exact, they are just “empathy” between ruffians and profiteers. --- Summary