中国古典戏曲理论中的“联贯”一词最早出现在明代祁彪佳《远山堂曲品》中,祁彪佳评王元寿的《中流柱》时曰:“传耿朴公强项立节,而点缀崔、魏诸事,俱归之耿公,方得传奇联贯之法。觉他人传时事者,不无散漫矣。”~((1))祁彪佳认为,《中流柱》重在传耿公强项立节之事,中间穿插的崔、魏之事都应与耿公之事相联贯。此处的“联贯”是指剧中人物、事件之间的连接、贯通, In the Chinese classical opera theory, the word “coherence” first appeared in Qi Biaojia’s “Yuan Shan Tang Qu” in the Ming Dynasty. Qi Biao commented on Wang Yuanshou’s “Zhongliu column” when it was said: “Pass Geng Puqiang, And embellishment of Cui, Wei all things, all belong to Geng Gong, Fang was the legendary coherence of the law .People feel prejudices of others, are all indiscriminate carry on. ”~ ((1)) Qi Biao Jia that“ Zhongzhu ”weight In the biography Geng Gongqiang items Ritual, interspersed with the Cui, Wei things should be linked with the matter of Geng Gong. Here “coherence ” refers to the play’s characters, the connection between events, through,