《筝箫吟》是旅澳华裔作曲家储望华创作的6首前奏曲中的一首。20世纪60年代,储望华先生在欣赏《渔舟唱晚》《高山流水》等古曲后,颇受启发,创作出这首具有浓厚人文气息的标题性钢琴小品。古筝是弹拨乐器,有一种说法是因为其弹奏时会发出“铮铮”的声音而命名古筝的传统演奏技法与古琴、琵琶等弹拨乐器相似,以左手按弦、右手弹弦为主,其高音或明亮清脆,或细腻柔和,其低音深沉浑厚。适合钢琴模仿的古筝技法主要有:刮奏,依靠古筝音位排列顺序由右手作迅速地上、下刮奏;滑音, “Zheng Xiao Yin” is one of the six prelude to the Chinese songwriter Chuang Wa-Hua’s creation. In the 1960s, Mr. Chu Wanghua was quite enlightened after appreciating the ancient songs such as “fishing boats sang night” and “mountain water”, creating the title piano piece with a strong humanistic touch. Guzheng is a plucked instrument. One of the reasons for this is that the guzheng’s traditional performance technique is similar to that of a plucked instrument such as a guzheng and a pipa because of its “clank” sound when playing it. The treble or bright crisp, or delicate soft, deep bass deep vigorous. Suitable for piano imitation of the guzheng techniques are: scraping, relying on the arrangement of the guzheng phonemes from the right hand to quickly play on the next scratch; slip sound,