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一、中国当代艺术的现状中国当下艺术的现状,恰恰在于它成为了阿瑟·丹托所言的“后历史时期”全球文化的一部分,呈现出“多元化”的特征和丰富的面貌。其危险性正在于它对各种历史文化符号的“滥用”。这种“滥用”缺乏对其他文明(主要指非西方文明)最基本的同情和理解,并以“消费”为目的对不同文明的历史和过去进行了肢解。“全球化”
I. The Status Quo of Chinese Contemporary Art The status quo of the present Chinese art precisely lies in the fact that it has become part of Arthur Danto’s “post-historical period” global culture and has the characteristics and richness of “pluralism” The face. The danger is its “abuse” of all historical and cultural symbols. This kind of “abuse” lacks the most basic sympathy and understanding of other civilizations (mainly referring to non-Western civilizations) and disintegrates the history and past of civilizations for the purpose of “consumption.” “Globalization ”