在景观设计中,自然空间与建筑空间的调和与衔接一直是个让人们不断专研的课题。而如今,人为传统建筑比之于现代建筑能更好的融入自然,这是由于传统建筑更多的采用了自然的建筑材料,底层建筑能更好的融合于大地的起伏走势,以及柱廊等非墙体形式的建筑空间起到的缓冲作用。而这些都是建筑本身的特性所导致的结果。但人的感官并不是固定于建筑这一点的,就如中国画中的散点式透视一般,人是一边移动一边感受风景的。 In the landscape design, the reconciliation and connection between the natural space and the architectural space has always been a topic that people continuously study. Nowadays, artificial traditional buildings are better integrated into nature than modern ones because traditional buildings use more natural building materials, the ground floor buildings can better integrate with the earth’s ups and downs and the colonnade etc. Wall form of building space play a buffer role. And these are the result of the characteristics of the building itself. But the human senses are not fixed on the building, just as the scatter-type perspective in Chinese painting is generally, people are moving while feeling the scenery.