石涛,十七世纪著名的中国画家,将一个单一的绘画技巧定义为“众有之本,万象之根;见用于神,藏用于人”。中国当代艺术家李曦将绘画线条描述为“最灵活、多变和简易的陈述和表达方式”。这两种相隔三个世纪的说法的密切关系足以证明古典艺术理念是如何在当前的中国现代绘画中延续的。在主题、构 Shi Tao, a famous Chinese painter of the seventeenth century, defined a single painting technique as “the foundation of all things, the root of all things, the one used for God and the possession of people.” Chinese contemporary artist Li Xi described painting lines as “the most flexible, changeable and easy way of presenting and expressing.” The close relationship between the two sayings three centuries apart is enough to prove how the classical art concept has continued in contemporary Chinese modern painting. In the theme, structure