福音画的是国画,但有些画面的纹理,却有油画的功效,这很奇妙。福音坚持用线,这很古老,和前辈一样,用了两千年,仍然舍不掉。福音的纯粹,从两处体现。一是工作态度:他客居广州,却“大隐于市”,杜绝一切不必的人际和市场交往,专心阅读和绘画;一是作品品质:单纯简约,直逼“极少”。 The gospel painting is a traditional Chinese painting, but some of the painting’s texture has the effect of painting. This is wonderful. The Gospel insists on using threads. It is very old. Like its predecessors, it took two thousand years and was still reluctant. The purity of the gospel manifests itself in two ways. First, the attitude of work: He lives in Guangzhou, but “big hidden in the city,” to eliminate all unnecessary interpersonal and market interaction, concentrate on reading and painting; First, the quality of the work: simply simple, almost “minimal.”