1912至1913年,马蒂斯两次前往摩洛哥.他在此期间的作品于1913年展出后,迅速散落到法国和苏联的收藏家个人手中.最近这些鲜为人知的作品聚集到一起进行展出,引起人们对马蒂斯美学观的重新评价.美术史家乔治·本加明根据历史文献和展出作品提出种种不同于以往评论家们的看法.首先,他认为这些绘画作品表明,马蒂斯把社会和政治冲突融入到完美境界的幻想中.本加明指出,二十世纪初,许多保护主义者文学家、艺术家反对欧洲殖民主义文化破坏殖民地文化的特质,高更、马蒂 Matisse twice traveled to Morocco from 1912 to 1913. His work during this period quickly spread to individual collectors in France and the Soviet Union after his debut in 1913. These little-known works have recently been brought together for exhibitions Out of aroused people’s re-evaluation of the aesthetic view of Matisse.Artist George Benjamin put forward different views based on historical documents and exhibited works different from the previous critics.First, he thinks these paintings show that, Sri Lanka has put social and political conflicts in the illusion of a perfect realm. "Benjamin said that many conservationist writers and artists opposed the trait of the colonial culture of European colonialism in the early twentieth century. Gauguin and Marti