非线性系统是当今科学发展的情况下一种新的智能理论,它不同于线性系统,也就是我们平常所说的线性思维,非线性系统理论的提出打破了长用的前因后果,成为多因一果或多因多果,其实我们在艺术领域,尤其是在音乐舞蹈艺术领域里,目前多为线性思维,前因后果分明,表演形式单一明了,不过也不是没有变化,很多艺术家已经开始逐步的做出改变,多媒体和灯光艺术与音乐舞美的配合越来越多,三维立体的现场表演形式越来越丰富,但是在传统民族民间艺术的继承与开发上面还欠缺很多,我们应当在最具我国代表性特色的民族文化上面有实质性的开发,但又不能破坏我们的传统。非线性系统的能控性比线性系统能控性要考虑更多的问题,定义起来更加困难,此状态能控性与空间点所在位置有密切关系,将会随空间点位置不同而不同,有很大的不一致性。在现代舞艺术与民族民间舞艺术的融合上面,很多艺术工作者持有不同的见解,有些认为应当将传统极致化,不要现代文明的融入,有些认为应当与时俱进抛去传统而古老的思想,就当今时代的发展来看,有些传统的艺术确实是不为人们所接受,因为时代和审美观都是在不断发展的,可是反过来说,如果丢掉老祖宗留下来的民族文化又何谈继承?何谈民族特色?所以在民间舞蹈艺术的发展上我们还需思考很多,不能肆意妄为,不顾一切,虽然审美在变化,但民族之根本不能改变。当我看到湘西苗族的鼓舞时让我联想到了很多,它不是单一的舞蹈艺术,也不是单一的乐器演奏,而是一个以舞蹈为主的多重表演。 Nonlinear system is a new kind of intelligent theory under the circumstance of scientific development today. It is different from linear system, which is what we usually think of as linear thinking. The proposal of nonlinear system theory breaks the long-term antecedents and consequences and becomes a result of multi- In fact, we are mostly in the field of art, especially in the field of music and dance art. At present, most of them are linear thinking. The cause and effect are clear and the performance style is simple and clear. However, it is not without change. Many artists have started to gradually make Change, multi-media and lighting art and music more and more with the dance, the three-dimensional live performances more and more rich, but in the inheritance and development of traditional folk art above still lacks a lot, we should be the most representative of our country The distinctive national culture has substantive development above, but can not undermine our tradition. The controllability of nonlinear systems is more difficult to define than the controllability of linear systems. The controllability of this state is closely related to the location of space points and will vary with the location of space points. There are Great inconsistency. In the fusion of modern dance and folk dance, many artists hold different opinions. Some think they should be traditional and do not require the integration of modern civilization. Some think they should keep pace with the times and throw away the traditional and old In terms of the development of the present era, some traditional arts are really not acceptable to people because the times and the aesthetic concept are constantly developing. However, on the contrary, if we lose the national culture left behind by our ancestors On the inheritance? What national characteristics? Therefore, in the development of folk dance art we need to think a lot, can not be arbitrary, desperate, although the aesthetic change, but the fundamental national can not be changed. When I saw the encouragement of the Miao in Hunan Province reminds me of a lot, it is not a single dance art, nor is it a single musical instrument, but a multiple dance-based performance.