我们知道,现行的五线谱表从三线四线演化而成的。本文提出的建议,便有增加谱号的页面作用——如a、A系列,e、E系列外又有A1系列等,似乎又由简而繁了。但乐谱改革,几百年来有人提过不少方案,如六十年代的赵(宋光)、方(暨申)方案,八十年代的吴道恭方案……,可见大家都认为记谱法有改革的必要,但五线谱不仅约定俗成,而且几百多年来用它出版了无数乐谱,故而任何一个即使最优良的方案如何推行也是一个大问题,我们发表这篇文章,作为一个信息献给读者。而据编者所知,现侨居意大利的吴道恭“论六线谱”一书巳用英、意、法、德、文出版(中文版还在接洽中),其方案较之本文的方案,似有更好的思想。 We know that the current staff has evolved from the third-line to the fourth-line. The suggestions made in this paper have the effect of increasing the number of clefs - such as a, A series, e, E series and A1 series, etc., which seem to be simple and complicated. However, there have been a number of proposals raised over the past few centuries, such as the programs of Zhao (Song Guang), Fang (Ceng Shen) in the 1960s and Wu Daokong in the 1980s. The need for reform, however, is not only a matter of convention, but hundreds of years have been used to publish countless musical scores. Therefore, it is a big issue that any one of the best programs be implemented. We publish this article as a message to readers. According to the editor’s knowledge, Wu Daogong, now residing in Italy, has published the book “On the Six Lines” in English, Italian, French, German and Chinese (the Chinese version is still under negotiation). Compared with the proposal in this paper, Better thinking.