◎表演模式-芥川龙之介《手绢》-这个短篇写到一位类似教师的角色,偶然读斯特林堡的《剧本创作法》,云:演员体会最普通的感情,发现一种恰如其分的表现手法。当他通过这个方法获得成功的时候,就不论情况是否合适,一方面由于驾轻就熟,另一方面也由于已经获得成功,动不动就运用这种手法。然而,这就是“表演模式”。这时有陌生人来造访,他很惶恐于自己对来者的陌生。倒是对方表明身份,原来是他学生的母亲,而那名学生已经死掉了,今日是头七。教师看着对方神态安静,嘴角甚至有些微笑,有些不解。可是当他低下身子去捡什么东西,却又看见她的手在膝盖上颤抖,手间扯着一块可怜的手绢,几乎要撕裂了。 ◎ performance mode - Akutagawa Ryunosuke “handkerchief” - The short story wrote a teacher-like role, accidentally read Strindberg’s “script creation method”, said: the performers experience the most common feelings and found a suitable Manner of expression. When he succeeds in this way, he applies himself, whether it is right or not, on the one hand, and on the other hand, because of its success. However, this is “show mode ”. There was a stranger visiting at this moment, and he was very scared of being unfamiliar with him. It touches on the identity of the other side, turned out to be the mother of his students, and that student has died, today is the first of seven. Teachers looked at each other quiet, mouth and even some smile, some puzzled. But when he lowered himself to pick up something, he saw her hand trembling on her knees, her hand in a poor handkerchief, almost torn.