在文学作品的改编中,我常常对人们在原作者与改编者之间设想出的那种敌意,感到困惑不解。“你怎能眼睁睁地让人家把你写的东西改编成脚本呢?”人们问。“你不怕你的作品被弄得简单无味、支离破碎,或者被曲解了么?”的确,在为好莱坞改编的电视脚本中,有些名著被改编得啼笑皆非。如福克纳的《喧嚣 In the reorganization of literary works, I often feel puzzled by the hostility that people envisioned between the original author and the arranger. “How can you let people turn what you write into a script? ” People ask. “You are not afraid of your work is made simple and tasteless, fragmented, or misunderstood it?” Indeed, some of the famous TV shows adapted for Hollywood are ridiculous. Such as Faulkner’s "noise