大而观之,太康之花卉与人物画,皆以印法为先意,留朱布白,视丈尺为方寸,故画面疏处可走马,密处不透风,此得印法之妙也;而细而研之,则其花卉人物山水,皆以篆法碑法运笔,长笔流畅而不羸弱,短笔刚健而不臃肿,点划随意而不轻飘;花卉得老莲昌石白石之法,人物得金农三昧,山水则徘徊于半千、八大与黄宾 Large and the concept of Taikang flowers and figure painting, all by the imprint of law as the preconception, leaving Zhu cloth white, as Zhang feet inch, so sparse picture can be taken away from the horse, the dense airtight, which have the magic of India ; And thin and research, then the flowers and landscapes, are based on the Fragrant Law monument method Yunpen, long and smooth, not weak, short pen is healthy but not bloated, point and random; Law, the characters were gold agrimony, landscapes are hovering in half a thousand, eight and Huang Bin