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严肃电子音乐与简约主义音乐,作为并行于同一时期的音乐类型(风格),让我们很容易相信两者之间必能产生交集或是某种层面上的相互影响。在史蒂夫·赖克(Steve Reich)尝试借用电子技术手段介入其简约主义音乐作品创作的同时,简约主义能否“反过来”对电子音乐作曲家的创作产生影响呢?本文将以简约主义音乐作品的材料组织手法及美学观念为出发点,结合严肃电子音乐作品的某些创作方式与技术特点,探讨上述论题存在的可能性。
Serious electronic music and minimalist music, as a genre of music that is parallel to the same period, makes it easy to believe that there must be an intersection or a certain level of interaction between the two. While Steve Reich is trying to use electronic techniques to intervene in the creation of his minimalist musical compositions, can Minimalism influence the composer’s creation of electronic music? The materialist approach and the aesthetic concept of minimalist musical works as a starting point, this article discusses the possibility of the existence of the above topics in combination with some creative ways and technical features of serious electronic music works.