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美国当代印第安女作家莱斯利·马蒙·希尔克在其最具争议性的作品《死者年鉴》中表现出一种后现代的地方观,这种地方观强调“地方”的建构性,尤其是“地方”作为抵抗的场所以及“地方”应该打破边界的禁锢。希尔克在《死者年鉴》中揭露了不同的权力力量如何作用于美国国家的建构过程,作为印第安人,她特别关注自己的族人如何通过抵抗压迫书写反殖民的历史。她在小说中还呼吁人们应该解放地方,让地方不再受边界的约束,从而建立一个人与自然、人与人和睦相处的世界,这也是后现代地方观的理想。
Leslie Momen Hilke, a contemporary American female writer, shows a postmodern localism in his most controversial book The Dead Man Yearbook, which emphasizes the construction of “local” Sex, especially “place” as a place of resistance and “place” should break the confines of the border. In the Book of the Dead, Hilk uncovered how different powers of power acted on the process of constructing the American nation. As an Indian, she paid special attention to how her own people wrote anti-colonial history by resisting oppression. In her novels, she also called for people to liberate the place so that the place will no longer be bound by the border so as to establish a world where people live in harmony with nature and people. This is also the ideal of postmodern localism.