符号学的理论运用到建筑创作中来是不是生搬硬套,故弄玄虚?把一些传统的装饰纹样图案或这些图案的简化用到建筑中去是不是运用了符号学的理论?在这两个问题上,许多人或多或少地还存在着一些误解。在符号学的理论已经逐步传播开来的今天,进一步讨论符号学的本质问题以及如何在建筑创作中能动地运用这种理论的问题是很有意义的。 Does the theory of semiotics apply to architectural creation? Isn’t it hard to understand why the use of semiotic theory in the use of some traditional patterns of decorative patterns or the simplification of these patterns? More or less, there are still some misunderstandings. Now that the theory of semiotics has spread gradually, it is of great significance to further discuss the essence of semiotics and how to actively use this theory in architectural creation.