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以影像手段来书写民族志,在民族学、人类学研究中已经开始成为一种趋势。《归去来》是一部关于跨境民族文化研究的民族志影片,讲述中缅边境村寨里三个佤族村民从缅甸回迁国内后的生活,表达跨境民族与国家关系的主题。民族志影片拍摄者和被拍摄者是一种共同构建和情绪共同分享的过程。人类学者具有情感情绪,研究对象同样具有自己的情绪及思考过程,民族志影片在拍摄者和拍摄对象的实践过程中是一个互动的生产过程,不仅仅是拍摄者的主动拍摄行为,还包括被拍摄者应对摄像机和拍摄的行为。情绪人类学研究可以介入人类学家和研究对象之间的话语分析、行为表达,以及对民族志文本或民族志影片的影响上,更好地去反思研究者和被研究者的情绪因素对人类学研究方法的影响。
Writing ethnography by means of images has begun to become a trend in ethnology and anthropology. Going Back is an ethnographic film on the study of cross-border ethnic culture. It tells the story of the three Wa ethnic villagers in the border villages of Myanmar and China who returned to their homeland from Myanmar and expressed the theme of cross-border relations between nations and nations. Ethnographic film shooter and photographer are a common process of building and sharing emotions. Anthropologists have emotions and emotions, and research objects also have their own emotions and thinking processes. Ethnographic films are an interactive production process in the practice of photographers and subjects. They are not only the photographer’s initiative shooting activities, The photographer copes with the camera and shooting behavior. Emotional anthropological research can intervene in discourse analysis, behavioral expression, and the influence of ethnographic or ethnographic videos between anthropologists and research subjects to better reflect on the emotional factors of researchers and researchers The impact of research methods.