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金秋时节,六十多位戏曲史专家聚在乌鲁木齐,为中国戏剧的起源展开热烈的学术交锋。他们来自12所高等院校、7个全国性学术机构、6家艺术期刊和出版单位,香港、日本各有一位学者远道赶来参加。这个会是由中国剧协、中山大学中文系、上海戏剧学院、新疆文联文艺理论研究室共同发起的。中国是戏剧大国,一部中国戏曲史在各高等学府讲了几十年,但是对中国戏剧或戏曲的起源问题却越来越莫衷一是。特别是近几年来重要戏剧文物的发现,对目莲戏、傩戏的研究以及学术思想的解放,研究方
Autumn season, more than sixty drama history experts gathered in Urumqi, the origin of Chinese drama launched a warm academic confrontation. They came from 12 colleges and universities, 7 national academic institutions, 6 art journals and publishing units, and one from Hong Kong and Japan each. This will be co-sponsored by the Chinese Theater Association, Zhongshan University Chinese Department, Shanghai Theater Academy, Xinjiang Literature and Art Theory Laboratory. China is a big theater country. A history of Chinese opera has been taught in institutions of higher education for decades. However, it has become increasingly incomprehensible to the origins of Chinese drama or opera. In particular, the discovery of important dramatic relics in recent years, the research on the head and lotus opera and the Nuo opera as well as the liberation of academic thought,