本文通过田野调查,对宋元南戏“负心戏”的代表剧目《江天暮雪》遗存情况予以考略,以证其历宋元明清绵延不断,富有长期的舞台生命力,从而纠正了学术界“已佚”的误解,还其历史与现状的真面,冀为南戏研究开辟新途径。 Through the field investigation, this article examines the remnants of “Jiang Tian Mu Xue”, a representative play of the “Negative Heart Drama” of the South Opera in the Song and Yuan Dynasties, in order to prove that the history of the Song, Yuan, Ming and Qing Dynasties stretches continuously and has a long-term stage vitality, thus correcting the “lost” Misunderstanding, but also the true face of history and the status quo, Ji opened up new ways for the study of South Opera.