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中国的民族戏曲在世界上是独一无二的,对中国的文化思想、道德情操、审美情趣、音乐心态、民风民俗等各方面曾经产生的巨大影响,是历史上任何一种艺术都难以企及的。然而,随着时代的变迁、审美意识的转变,戏曲的生存面临重重危机,对戏曲艺术进行电视化处理是必然的过程,而实现者就是电视戏曲的创作者,在实际创作中应注意各种问题,才能更好地完成戏曲艺术的电视化处理,从而为中国戏曲继承发展做出应有的贡献。
China’s national drama is unique in the world and has had a tremendous impact on China’s cultural ideology, moral sentiments, aesthetic taste, musical mentality, folk customs and other aspects. It is unmanaged by any kind of art in history. However, with the change of the times and the change of the aesthetic consciousness, the drama’s survival is facing a lot of crisis. It is an inevitable process to make the opera art be TV. The implementer is the creator of the TV drama. Problem, we can better complete the television art of opera art and make due contributions to the inheritance and development of Chinese opera.