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自20世纪90年代末网络文学诞生之日起,这一依存于新载体、基于新媒介而传播的文学形态就成为世纪之交最具争议的文学样式。从最初的“纸书写作—互联网传播,到互联网写作—互联网传播,再到互联网写作—移动互联网传播”~①,文学作品从纸媒转向网媒,从直抒个人胸臆直到进入大众视野,发挥网络文学商品化效应,大资本参与运作,并进而引发“渠道为王”还是“内容为王”的争论。短短十余年间,网络文学伴随
Since the birth of online literature in the late 1990s, the literary form that relies on new carriers and is based on new media has become the most controversial literary form at the turn of the century. From the initial “paper writing - Internet communication, Internet writing - Internet transmission, and then Internet writing - mobile Internet communication” ~ ①, literary works from paper media to network media, from straight to express personal feelings until the public view, play The commercialization of online literature and the involvement of big capital in the operation lead to the debate that “the channel is king” or “the content is king”. Just ten years, online literature is accompanied