几本漫画、一瓶可乐是生于70年代,成长在80年代的孩子的生活。一台手提电脑、几个动漫网站是现在许多年轻人的生活。好的动漫中会蕴含着社会热点、趣味、和流行趋势,但是对动漫文化兴盛最简单明了的解释是他的读者群体无限扩大,越来越多的成年人被这片昔日属于青少年的梦幻乐园吸引而跻身其中。对于“生于70年代后”的年轻人来说,固守无限漫长的青春期既是一种姿态,也是成长过程的必然。无论把我们置身其中的时代称为影响时代或是读图时代,还是把70年代后的年轻人成为卡通一代,表达的意义是相同的,那就是不放弃童年的同时对现代感和速度感的追求。当虚拟的网络世界越来越现实化,现实世界越来越虚拟化时,我们也很难分清真实自我和漫画人物之间究竟谁在发明谁,是又在模仿谁。所以朱德庸说:“与其说我的漫画与真实人物相互模仿,不如说他们在城市的快节奏里活生生地互动起来了。 当然,已经长大的成人们很难再被会飞的猫或者会说话的龙打动,他们需要和自身更加忧戚相关的主题,包括工作、社会和情爱…… A few comics, a bottle of Coke was born in the 70s, grew up in the 1980s children’s lives. A laptop, several anime websites are now many young people’s lives. Good animation will contain the social hot spots, interesting, and popular trends, but the easiest and most clear explanation for the flourishing animation culture is that his readership has been expanding indefinitely. More and more adults are remembered as formerly dreamlike paradise for teenagers Attract and among them. For young people born after the 1970s, sticking to indefinite adolescence is both a gesture and an inevitable part of the process of growth. Whether we refer to the era in which we live among the influential or pictorial ages or the young people in the 1970s as cartoons, we share the same meaning in expressing the sense of modernity and speed without giving up our childhood pursue. As the virtual cyberworld becomes more and more realistic and the real world becomes more and more virtualized, it is difficult for us to distinguish between who the inventor is and who the parody is between himself and the comic. So Zhu Deyong said: "Not so much my comic and real people imitate each other as it is that they live in the fast pace of the city interact together.Of course, adults who have grown up is very difficult to be fly cat or will Talking dragons impress, they need to be more concerned about their own topics, including work, social and love ...