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中国的传统审美范式与西方有着明显的差异,在其方法论中一直没有出现实证分析的研究趋势,甚至我们在对美进行还原论分析的思路上还存在着极大的理论基础的缺失;而另一方面,当代西方世界利用日新月异的科学技术,正对这一研究视域做出十分积极的回应。因此,本文通过引入搭建进化心理学和美学(Evolutionary Psychology and Aesthetics)之间的学科交叉的可能性,以其当代的方法论,试图揭示传统的审美范式中没有指明的审美机制,希望以此丰富传统审美范式在现代语境下的解释力。
China’s traditional aesthetic paradigm is obviously different from that of the West. There has been no empirical research in its methodology, and even there is a great lack of theoretical basis for the idea of reductive analysis of the United States. On the one hand, contemporary Western science and technology make use of the ever-changing science and technology and are making very positive responses to this research perspective. Therefore, by introducing the possibility of interdisciplinarity building Evolutionary Psychology and Aesthetics, with contemporary methodologies, this article attempts to reveal the aesthetic mechanisms not specified in the traditional aesthetic paradigm and hope to enrich the tradition Interpretation of Aesthetic Paradigms in Modern Context.