在20世纪初,荷兰皇家音乐厅交响乐团和它的首席指挥威廉·蒙格伯格和古斯塔·马勒建立了一种很特别的关系。马勒去了阿姆斯特丹几次后,这个交响乐团的高品质演出打动了他,他的作品也被荷兰的观众所接纳。同时他也非常欣赏皇家音乐厅的声学设计。阿姆斯特丹对马勒来说就变得非常重要,就像拜伊罗特对理查德·瓦格纳来说非常重要一样。1920年,马勒逝世九年后,皇家音乐厅 At the beginning of the 20th century, the Royal Philharmonic Orchestra of the Netherlands established a very special relationship with its chief conductor, Wilhelm Simonberger and Gustav Mahler. After several years of Mahler’s visit to Amsterdam, the high-quality performance of the symphony orchestra impressed him and his work was accepted by Dutch audiences. He also appreciates the acoustic design of the Royal Concert Hall. Amsterdam becomes very important to Mahler, just as Baiolot is very important to Richard Wagner. In 1920, nine years after Malfoy’s death, the Royal Concert Hall