无论是在我国还是西方文论的语境中,诗画之间的关系一直是引发人们广泛讨论的话题。西方十八世纪便有关于莱辛的《拉奥孔》的诗与画界限问题的讨论,我国山水诗画,情景交融的传统更是源远流长。作者以以上两点为例,以《文心雕龙》中的观点为依据,对“诗与画”这个长久不变的议题提出见解。 Whether in our country or in the context of Western literary theory, the relationship between poetry and painting has always been the subject of extensive discussion. In the eighteenth century in the West, there was a discussion about the boundaries between poetry and painting of Laocoon in Lessing. The tradition of combining Chinese landscapes with poetry and painting, and with scenes and scenes, has a long history. Taking the above two points as an example, based on the views of “Literary Mind and Carving Dragons,” the author gives his opinion on the long-standing issue of “Poetry and Painting”.