论文部分内容阅读
张艺谋,作为中国第五代电影导演独树一帜而又极具才情的翘楚人物,作为一个使“中国电影首次跨入世界电影前列”的神话般英雄,曾是精英文化的代表,一度扮演着对大众实施诗意启蒙的角色。其早期执导的作品《红高粱》、《菊豆》、《大红灯笼高高挂》、《秋菊打官司》不论在思情意旨上,还是在电影美学探索上,都给中国观众、电影界乃至文化界带来强烈的心灵震撼和视觉冲击,他在作品中表现出的对人类普遍生存状态的思索,对文化传统的深情关注,对民族文化心理的深入探寻,以
Zhang Yimou, the unique and highly talented leader of China’s fifth-generation film director, used to be the representative of elite culture as a mythical hero who made “the first Chinese movie ever to enter the world’s film industry” Poetic enlightenment role. His early works “Red Sorghum”, “Chrysanthemum”, “Raise the Red Lantern”, “The Story of Qiu Ju” both in the thoughts and purposes, or exploration of film aesthetics, give the Chinese audience, the film industry And even the cultural world brought a strong spiritual shock and visual impact, his works reflect on the general state of human existence, affectionate attention to the cultural traditions, in-depth exploration of national cultural psychology, with