每部影片都有它自已的命运。有些影片的寿命长得令人羡慕,它们经得住时间的考验,并且在数十年内都一直在银幕上放映,这些影片的命运是幸福的。而另一些影片的命运却很悲惨,它们在空着一半座位的观众厅里放映,并且在发行后的第一年,就被人忘却了。当然,影片的命运不是取决于某种宿命论的因素、偶然的运气、有利的或不利的情况的巧合。的确不是这样,一部影片的胜利或失败,它在某种程度上的成功,在某种程度上不成功,是有它确定不移的规律性的。我们应当思考这些问题,而且要刻下容缓地来思考,因为社会主义电影艺术的进一步发展和繁荣是和这些问题有关的。 Every film has its own destiny. Some films have an enviable life expectancy. They stand the test of time and have been shown on the screen for decades. The fate of these films is happier. The fate of other films was miserable. They were shown in the auditorium with an empty seat half and were forgotten in the first year after their release. Of course, the fate of the film does not depend on some kind of fatalistic element, chance luck, favorable or unfavorable situation coincidence. Indeed, this is not the case. The victory or defeat of a film, to some extent, its success, to some extent, is unsuccessful and has its unmoved regularity. We should think about these issues and think with leniency, because the further development and prosperity of socialist cinema art are related to these issues.