“我想大家听到一个女人的声音。”小野洋子在受邀来到中央美术学院举办讲座时,对自己在公众面前长时间嘶吼的行为艺术做了一个解释。当然接下来更多的阐释也逃不开女权主义的各种逻辑,诸如:女性的强壮引起了男性的不适、女性的伟大和贡献被社会所忽视等等。已经82岁的小野洋子,像是一样座沉寂了许久的火山,2015年突然爆发般地连续举办了3个展览:5月,在 “I think everybody heard the voice of a woman. ” Ono Yoko invited to the Central Academy of Fine Arts to hold a seminar, made an explanation of his behavior in the public for a long time roaring performance art. Of course, more explanations can not escape the various feminist logic, such as: the strong female caused discomfort in men, the greatness and contribution of women ignored by society and so on. Yoko Ono, now 82, is like a volcano that has been silent for so long. In 2015, three exhibitions were held in a row: May, at