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明代散曲盛行,無論散曲作者人數還是作品數量,都超過了元代和清代。劉大杰《中國文學發展史》云:“明代的詞,寥落不振,唯散曲繼承元代的餘緒,猶能振作精神,頗有成就。”在衆多的明代散曲家作家中,黄峨尤引人注目。她既是明代最優秀的女詩人,也是明代最傑出的女散曲家。但是,由於封建社會對婦女的偏見,其生平事跡不見諸史傳,而在明人的筆記雜書裹亦罕有記載,研究黄峨的學者更是寥若晨星。所以,黄峨何許人?她在創
The prevalence of Sanqu in the Ming Dynasty surpassed that of the Yuan Dynasty and the Qing Dynasty, regardless of the number of writers or works of Sanqu. Liu Dajie “History of the Development of Chinese Literature”: “The words of the Ming Dynasty, sparsely dispersed, the only verse inherited the Yu Xu of the Yuan Dynasty, still able to cheer up, quite accomplished.” In many Ming Dynasty writers, Attention. She is both the best female poet in the Ming Dynasty and the most outstanding female genre in the Ming Dynasty. However, due to the feudal society’s prejudice against women, their life stories are not seen in the biography, but in the Ming Dynasty’s miscellaneous books are also rarely documented, the study of Huang’s scholars is very few morning star. So what is Huang-hua? She is creating