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从1941年钱君匋编、费新我绘连环画《家》出版后,巴金的《家》被改编为多种版本的连环画,呈现出名作的艺术魅力和重要影响。四种《家》的连环画改编中,李仲源分别写了三兄弟的爱情故事,金克浚突出了冯乐山的恶贯满盈,徐淦强化了鸣凤的悲剧,高铁林、王力军完整地呈现了原作的风貌。从绘画角度,董天野的毛笔线描呈现出朴拙之感,施大畏、韩硕线描线条流畅而洒脱、粗犷而激情,徐恒瑜的封闭式构图、刻板单调的线条最具个性,博综、雨青、庆国的钢笔线描采取十分严谨的焦点透视的构图。巴金《家》连环画的改编,扩大了名作的影响和普及。
After Qian Jun made a new contribution in 1941 when he painted the comic “Home”, Ba Jin’s “Home” was adapted into various versions of comic strips, showing the artistic charm and important influence of masterpieces. In the adaptation of the four “home” comic books, Li Zhongyuan wrote the love story of three brothers respectively, Jin Kejun highlighted the vicious performance of Feng Leshan, and Xu Gan strengthened the tragedy of Ming Feng. The style of the original work was completely presented by Gao Tielin and Wang Lijun. From the perspective of painting, Dong Amano’s brush-line drawing presents a sense of simplicity, Shi Dawei, Han Shuo lines smooth and free and easy, rough and passionate, Xu Heng-yu’s closed composition, the most monotonous lines most personalized, Rain, Qing Guo pen line drawing to take a very serious perspective of the composition. Ba Jin “home” comic adaptation, expanded the influence and popularization of masterpieces.