近几年,我陆续创作了一系列抽象油画与水彩画作品,并将它们命名为“大地景观”系列。这些作品是在自然的基础上生成出来的,但又不是具体的某山某水,是时间、空间、意向的绘画,它超出了焦点视觉本身,增加了画面的内涵,扩大了绘画本身的外延张力。由于我在创作过程中对形成画面的诸多因素做过较深入地探求,其中对影响抽象绘画最突出的因素——“线”,有了更新的认识,愿与同仁共同探讨。大自然以其自身之伟大,隐匿了一切含义,如果每一位艺术家都不得不重新开始,去寻找一种新的绘画形式与语言——他会被存在于大自然中神秘 In recent years, I have successively created a series of abstract paintings and watercolor works, and named them “series of landscapes”. These works are created on the basis of nature, but they are not concrete paintings of a certain mountain, time, space and intention. They are beyond the focus of visual itself, increasing the connotation of the picture and expanding the extension of the painting itself tension. As I explored the many factors that led to the formation of images in the process of creation, I had a new understanding of the most prominent factor influencing abstract painting - the “line”, and I am willing to discuss with my colleagues. Nature, with its own greatness, hides all its meanings. If every artist has to start over again to find a new form and language of painting - he will be stored in the mysteries of nature